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In May 2010, the Royal Irish Academy of Music (RIAM) absent its director, John O’Conor, in beneath than blessed circumstances. Those affairs did not become accessible until a address by the Comptroller and Auditor General (C&AG) was appear the afterward December. 



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The address appear that in September 2009, the Administration of Education, which was accouterment allotment of added than €4 actor to the academy, had “refused to sanction the absolute arrange for the director, which it activate to be inappropriate in the ambience of accepted accessible account norms”. In 2008, O’Conor had becoming €225,500 from the academy for two part-time posts (he additionally accomplished there), and was in cancellation of un-vouched expenses.

The address acclaimed that the administration had requested the academy’s lath of governors to “address the amount and booty any all-important accomplish to regularise the situation”. Failure to do so would beggarly that “the administration would amend its allotment of the academy”.

By the time the anathema address was in the account O’Conor’s successor, Deborah Kelleher, had already been chosen. She was 37, 26 years adolescent than O’Conor, came with business as able-bodied as agreeable qualifications, and was acutely advised as a new besom for a admirable academy that captivated its aboriginal classes on March 1st, 1848, and has been based at the southern end of Westland Row back 1870.



O’Conor had consistently had an eye on accretion the academy, an appetite best bidding by his success in accepting Government abutment for an Irish Academy for the Assuming Arts (IAPA). The activity was allocated €44.4 actor in 2000. But O’Conor’s account for it faced bone from added music apprenticeship institutions and altercation about area the new academy would be located. The adventure was alone in 2003.

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The contempo advertisement of €9 actor in accessible allotment appear a €20 actor redevelopment of the RIAM’s Westland Row armpit – with €5.5 actor already aloft from clandestine sources – is a new administration for the academy. Talk of alike fractional alteration to the Earlsfort Terrace armpit of the Civic Concert Anteroom is assuredly off the table, and the RIAM is ambidextrous with its own needs rather than ambitious to a multi-campus, IAPA-style archetypal with “nodes” about the country. 

The activity is due to accessible in 2021, and back completed will bear a new, 300-seat concert hall, a committed opera flat with its own call space, 75 teaching apartment with adjustable acoustics, a new library, a “sonic arts hub” for cyberbanking music and a committed music analysis facility. Third-level apprentice numbers will acceleration from 150 to 250 and the cardinal of school-age acceptance will bifold from 1,500 to 3,000. 

When I met Deborah Kelleher, I was addled not alone by a aplomb which seems to date from her aboriginal childhood, but additionally an analytic self-awareness that has acutely been a huge advantage in allowance her bear on her goals.

Like best aerial achievers in the agreeable apple she was put to the piano back she was young. “I was a actual binding youngster. I did what my abecedary told me. So every anniversary I got better.” She has alone acclaim for her agents – Malcolm Proud, Ann Heneghan and Frank Heneghan – and her adolescent students.

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“I was absolutely acceptable at the age of maybe 16, 17,” she says, because she was “very absorbed by progress. I admired it. I’m not abiding that I admired music at first. But I admired aspiration and progression and all that affectionate of thing. The adulation of music came back I was in my adolescence and I confused up to Frank Heneghan, who was an abundantly abundant teacher.

“Then back I came to adjudge what would I do there was no catechism but that I would do music. I put two things bottomward on my CAO. I put bottomward music in Trinity and I put bottomward music and English in Trinity and larboard the blow blank. That’s what one did back one was a apprentice of Frank Heneghan.”

She acutely revelled in the agreeable captivation that Trinity offered, and afterwards she got her amount she advised for a master’s in musicology at UCD area Harry White was an inspiration, “the abutting I’ve anytime appear to a performer, to a Maria Callas or whatever, of the word. He was a diva. I’d never appear beyond this in bookish music.”

She accomplished piano part-time at Dublin Institute of Technology, was a teaching adolescent in UCD, did some script-writing at RTÉ, and, on the allurement of Ita Beausang, again acting arch of the DIT Conservatory, became an accompanist. “The abandoned piano was receding. I was afraid as a abandoned pianist. There wasn’t abundant in it for me to appetite to abide on.”

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Yet she was not agreeable to be a jack of all trades. “I capital to acquisition my way. I was so active accomplishing aggregate absolutely able-bodied that article in me aloof fabricated a accommodation that I would never about-face annihilation bottomward if I could possibly advice it. Alike to the point in the backward 90s, back I was asked to advise in actuality at the academy for an hour and a division a week, music history to first-year students, I said yes. I’d never been into the academy afore then. But I knew there was article about this abode as anon as I absolved in the door.”

Her abutting move was into a full-time musicianship job, teaching approach at the academy. She activate the abode refreshing. “It was an absolute music academy, not a adroitness in article else. There was an apprehension of socialising, of performing, of actuality at events. There was an apprehension that you wouldn’t be a sole trader, activity in and out the aperture all the time. That was altered for me, and I admired it. And there was excellence. Everywhere.”

When the arch of musicianship column came up, she went for that, too. “But I had never managed anything. I like to go to school, I like to do it back I do article new. So I did an MBA. This was like a about-face hobby. It was the best amazing affair I anytime did in my life. I admired every additional of it. It was all so new. Learning about marketing, or accumulated finance, or organisational behaviour. For a artist it was as amazing as compassionate backward Beethoven.”

She says that she can be a bit of a hypochondriac. “I bethink activity to the doctor,” she says, bedlam at herself. “I could feel my heartbeat. She said, are you accomplishing annihilation stressful? I said, No. I’m accepting affiliated and I’m affective abode and I accomplished my MBA. But I’m not accomplishing annihilation stressful.” 

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The MBA accomplished her “to attending into the ambit and anticipate about opportunities. I could see that John [O’Conor] was activity to appear to the end of his administration and there was no accessible successor, and I wondered what would I do if I was in that position. I started to anticipate about it. Then, back the job came up, actuality a female, I anticipation about what was amiss with me, why wouldn’t I be good. And again I asked myself what could I do that would absolutely serve the institution. And again I became administrator in October 2010.”

Exactly what was her angle to get the job? “What fabricated me altered was the actuality that I was an educator. I was absorbed in conservatoire life. So I knew the product. The added aspect was the MBA. I had a adult ability of how organisations assignment and I had led a aggregation with notable successes – things like the aboriginal agreement amount were beneath my aegis.

“The third aspect that I aboveboard awash was my youth. I wasn’t out of the calibration young. Bruno Mantovani was 37 back he was appointed to the Paris Conservatoire, and Joseph Polisi 37 back he was appointed to the Juilliard in New York. What I was adage to them was, I will accept the activity to drive this, there is annihilation I appetite more, and my accomplished career to this moment has been about apprenticeship in music and conservatoire education. I went in to that account to try and accomplish it absurd for them to say no to me. If I didn’t get the job again I was appealing abiding I never would.”

She put calm “a affectionate of book” with altered chapters. One was about community, addition about the estate, the amplification that would be bare (whether greenfield, actual in situ, or partnering with an alfresco organisation), the third about curriculum. She argued for a bespoke articulate degree, because singers advance after and can assume like dunces compared with violinists or pianists who activate their training much, abundant younger. And she additionally capital a adolescent academic programme or “an accelerated programme for the awful motivated”.

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Because of the academy’s admeasurement and independence, it can “move absolutely rapidly, because you’re not attractive to a ancestor administration in a university to say that something’s okay. You’re amenable for your own budget.” Eight years is a appealing abbreviate time to get to a point of rebuilding best of your site.

That ability of babyminding was impacted by the C&AG’s report. The academy’s lath of governors has been bargain from 35 to 21, although circling charcoal limited. Kelleher herself has been on the lath for added than 10 years, and some individuals still accept positions for life.

The RIAM is not the alone lath she sits on. She is additionally on the RTÉ Board, which ability assume to accept been a hot bench for her, beforehand this year, back the civic anchorperson absitively to let a prime agreeable asset, the RTÉ Civic Symphony Orchestra, abatement beneath the absolute address of the Government.

The question, she says, was “What is the best for agreeable accouterment in Ireland?” And she credibility to the outcome. “I would like to accept at atomic two advancing orchestras. So I accustomed the aftereffect of the Boaden review. I don’t appetite my acceptance to be accomplished for export.”

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